King of the Californias, Pt V

by Monk, New York City, NY, USA

As its guest book reads like a who's who of global atrocity-makers, disposal of dead bodies has become a premier feature at the Palma de Baía. Oakland's foremost hotel has an experienced staff of morticians, equipped with forensic-baffling equipment that would give the CIA a mile-long erection. That, and the hotel's love affair with municipal law enforcement, makes the three dead women on Cecilio Goncz's living room a nuisance instead of a felony. From the balcony, I watch the men in papery silver jumpsuits strip the corpses naked, and clumsily dump them into transparent bodybags filled with some sort of icy green fluid, vapor rising sickly. They throw the giant bladders onto gurneys, and trundle out of the room with all the gravity of errant bellhops.

Goncz's prisoner slumps over her crucifixion, long passed out from shock. Hands pinned to her thigh, she looks like a supplicant, bowed in prayer; though I can't imagine to what. Her breath is audibly ragged to even my cheap recorder's amplifier, some twenty feet away and separated by a pane of artificial diamond. Mr Goncz hasn't caught on that I recorded his initial encounter with the assassins, and as he is busy making calls from the bedroom, I have no plan on stopping. I see him in the distance, hands flailing wildly, livetattoos above his eyes dancing through a dozen languages, always the same message: Only God Can Judge Me. When he gets like this, his tone takes an undulating quality: loud one word, quiet the next. It's impossible for my little recorder to make any sense of it.

I observed the first such call upon my arrival in NoCal. I waited at Pivens Aerospace Center for five hours, bleary-eyed from intra-orbital flight, assured by Mr Goncz's assistant that a driver would be there for me shortly. When one finally did, it was the assistant himself, in a rental car. I was told in hushed, cautious tones that the driver, Silvio, had been picked up that morning by agents of the Carter Center. By that afternoon, he'd been tried for war crimes in Los Angeles, and by that evening, publicly sentenced at West Hollywood's Sunset Plaza. Shipped off to Angel Island for some time with the Big Chair: fifty years of sensory deprivation compressed into ten minutes, courtesy of a hack directly into the parietal lobe. Survivors tend to wear diapers, and have trouble producing complete sentences. Mr Goncz spent the bulk of that day screaming at the phantoms on the other end of his communicator, at his assistant, and finally at me: the Piece-of-Shit-Reporter-From-Chicago.

Three days later, Goncz's assistant disappeared.

Another cycle was wasted on Goncz's rant, blasted to his peers across the globe in every medium available. He was unsure if Glen had just run off, been killed by one of his long-standing enemies, or defected to Los Angeles in exchange for leniency. Goncz's greatest fear is still the Simone J. Carter Center for Peace and Justice. Based out of the Watts Refuge, its agents span the globe, wrangling expats back to the Republic of Los Angeles, where their trials have a circus atmosphere: defendants paraded about in bright orange jumpsuits, barefoot, shaven, starved, ball-gagged and drugged; the proceedings little more than a high-verbal horsewhipping before the inevitable sentence, always the same: the Big Chair at Angel Island. The prospect of which sends Goncz into nervous fits, making hour-long calls to anonymous power-brokers, demanding midnight assurances that his position is secure, and the vulture-beaked specter of retribution is well at bay. As he has pointed out, his once-vast wealth is heavily invested in the Northern Republic of California's reconstruction. His belief is that he is insulated from his enemies.

That assessment may have undergone a dramatic turn with today's events.

Assurances aside, it seems to me that Cecilio Goncz's life has become defined by a series of concentric circles, himself at the center. As each surrounding ring is worn down, his response becomes more frantic. I'm concerned that this has yet to translate as violence towards me. My host has a long, documented history of ending interviews at knife-point. Since my arrival, two of his closest companions have disappeared, and now, these assassins. By my own reckoning, I'm bad luck, writ large in neon. What Mr Goncz is thinking is beyond me.

But as he comes from the bedroom, pistol in hand, it is of rising priority that I find out.